Josh convinces his brother JB that their life needs some excitement. So, the two sell their sister's prized horse and use the $100,000 to build their own record label. First, they need to find some talent. They search America to give one person the opportunity to be made a star.

'Revolution: The Legacy of the Sixties' is an exploration of the 1960s Western cultural revolution as it ushers in our contemporary society. 'Revolution' explores, partly through interviews with many of its key instigators, the ground breaking cultural and social transformation of the 1960s as we get to the root of what changed during that period, and why. To what extent is our society and culture today a product of those changes? What does the 60s generation feel remains to be done today to complete the revolution, 50 years on?

Pauline Kael (1919–2001) was undoubtedly one of the greatest names in film criticism. A Californian native, she wrote her first review in 1953 and joined ‘The New Yorker’ in 1968. Praised for her highly opinionated and feisty writing style and criticised for her subjective and sometimes ruthless reviews, Kael’s writing was refreshingly and intensely rooted in her experience of watching a film as a member of the audience. Loved and hated in equal measure – loved by other critics for whom she was immensely influential, and hated by filmmakers whose films she trashed - Kael destroyed films that have since become classics such as The Sound of Music and raved about others such as Bonnie and Clyde. She was also aware of the perennial difficulties for women working in the movies and in film criticism, and fiercely fought sexism, both in her reviews and in her media appearances.

What does music composed by artificial intelligence sound like? American synthpop group Yacht is embarking on a radical creative experiment: letting a computer write their next album.

Strips of previously unexposed film went into the ocean, and these fragments are what returned. In this final installment of a nine year project documenting the underwater world off the coast of South Carolina, both the sounds and images are the result of the oceanic inscriptions written directly into the emulsion of the film as it was buffeted by the salt water, sand and rocks; as it was chewed by the crabs, fish and underwater creatures.

The result of a series of camera-less collaborations between the filmmaker, the Atlantic Ocean, and a crab trap. For three days in January and three days in October of 1997, and again, for a day, in August of 1998, lengths of unexposed, undeveloped film were soaked in a crab cage on a South Carolina beach. Both the sound and image are the result of the ensuing oceanic inscriptions written directly into the emulsion of the film as it was buffeted by the salt water, sand, rocks and shells.

The result of a series of camera-less collaborations between the filmmaker, the Atlantic Ocean, and a crab trap. For three days in January and three days in October of 1997, and again, for a day, in August of 1998, lengths of unexposed, undeveloped film were soaked in a crab cage on a South Carolina beach. Both the sound and image are the result of the ensuing oceanic inscriptions written directly into the emulsion of the film as it was buffeted by the salt water, sand, rocks and shells.

Strips of previously unexposed film went into the ocean, and these fragments are what returned. In this final installment of a nine year project documenting the underwater world off the coast of South Carolina, both the sounds and images are the result of the oceanic inscriptions written directly into the emulsion of the film as it was buffeted by the salt water, sand and rocks; as it was chewed by the crabs, fish and underwater creatures.

The first TV documentary about pop art sensation Pauline Boty, tracking the artist's original contribution to British art, her feminism and her unique take on the nascent celebrity culture of the 1960s. Ahead of her time in so many ways, Boty's story ends with her tragic early death at 28 in 1966 and the subsequent revival of interest in her work in the last decade. Packed full of original photographs and art work, the film calls on an array of family, friends, art critics and famous fans to lead us through the Boty story. Contributors include pop art titan Sir Peter Blake, comedian and artist Jim Moir, critic Kate Bryan, best friend and print designer Natalie Gibson MBE, pop singers Corrine Drewery and Tanita Tikaram and TV presenter Ronnie Archer Morgan.

Kevin Hart: What the Fit is a brand new unscripted comedy starring Kevin Hart and celebrity guests. In each episode, Kevin invites his friends to join him in taking on a different whacky workout from sumo wrestling with Conan O'Brien to goat yoga with Khloé Kardashian and cowboy rodeo-ing with Leslie Jones.